Yppah – You Are Beautiful At All Times

Over the next couple of weeks you’ll likely see a few posts on this blog that talk about albums that aren’t new releases by any stretch of the imagination. I’m hoping to cover a few albums that I’ve stumbled upon, often by accident, which have subsequently become regularly played items in my collection over time.

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First up is Yppah, which is a one man project by a dude in Texas called Joe Corrales. He makes instrumental tunes propelled by funky cut-up breaks which get jammed to by some cunning atmospherics and plenty of hook-laden guitar riffs, which are currently available in LP form under the title You Are Beautiful At All Times. Aww, smooth.

His music has a distinctive flavour that ties his work together, but throughout of the course of this album he covers a lot of territory – there are breaks, rock jams, downtempo ambient, hip-hop grooves – all brought together with the common themes of Corrale’s love for a good distorted drum loop, a spot of 808, scattered instrumental fragments and some guitar licks. Occasionally he gets as acid-like as being reminiscent of classic AFX, other times he’s riding an introspective hip-hop train in the tradition of DJ Shadow – the latter perhaps being what led to his signing with renowned electronic music label Ninja Tune.

It’s simple stuff that doesn’t seek to create a new grand statement in electronic music or reinvent genres – but it carries itself off bearing its own unique brand throughout. Corrales own statement on his Ninja Tune artist website says it all:

with “you are beautiful at all times” i was trying to combine all my influences plus the mood i had been in that past year i was writing it.

The album is also far from epic in its song structures – none of the 12 tracks here break past the 4 minute mark, but there’s something about the unassuming big heart that it offers that makes the tunes live well past their playing time.

I like this album a lot – it’s pure and simple and has a joyful thread that runs throughout the album. Give it a shot.

Listen

Megafaun – Bury The Square

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I’ve been meaning to write about this album for some time – I’ve been enjoying it for the better part of a year, and it seems like the magical buzz tornado has simply passed this wonderful band by.

Megafaun are a roots/folk/Americana/whateveryouwanttoaddtothislist band. Once upon a time these members were in a band called Deyarmond Edsion with a chap called Justin Vernon, who is now better known as Bon Iver. “Ooh!” I hear the crowd remark.

Apparently that band became defunct and created a little wreckage in the process, but the process did what it did and here we are talking about Megafaun.

These guys aren’t looking to capture the indie folk/rock market with 4 minute strum sessions, this is to be sure. Their album Bury The Square only has 6 tracks yet it clocks in at nearly 39 minutes – the song structures are open ended, the sounds are organic and upfront while having a real sense of inventiveness and experimentalism.

At its core, these guys specialise in a very honest brand of Americana. You’ll hear banjos, fiddles, the twang of a southern electric and epic three-part harmonies – but then you’ll hear some experiments with tape manipulations and some absolutely gorgeous mix trickery. All of it sounds like they’re simply doing what interests them, but it always seems to work and do the right thing by the songs.

The album starts with “Find Your Mark” (mp3 below) – it starts off as an accapella, moves onto a low key nylon string picking pattern with some vocals and gradually builds up into an honest-to-goodness rocker. The attention to detail is immaculate throughout. Elsewhere there’s an old time singalong run through a blender (“Tired And Troubled”) and a song that could be an old spiritual (“His Robe”). There are two gorgeous ballads (“Where You Belong” and “Drains”), and the somewhat snide, rootsy rocker “Lazy Suicide”.

I recommend this album highly – it’s been a pleasure to listen to all year, and I think you may well love it too.

Listen:

(thanks Stereogum!)

Meshuggah – Live @ UNSW Roundhouse

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I’m really enjoying being a music blogger at the moment – I love the blogging community, making awesome musical discoveries, getting to see bands emerge and do their thing and I always find amusement in watching the industry plays its little games… yes, I’ve been enjoying pretty much everything except actually making blog posts, which kind of invalidates my status as a music blogger.

This I plan to remedy, as I’ve had a lot of posts stored up for some time that are just waiting to be written, and now is a good a time as any to get this blog back on track with some real content.

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First up, a gig report. This is going to be mostly photos, as I’m pretty sure my lack of knowledge in the realm of math metal is going to be made evident if I talk to much.

Yep, math metal. A bit of a departure from the usual scope of this blog, but I’ve been enjoying Meshuggah’s ObZen album ever since it came out earlier in the year. It’s a very technical, full-forced, frequently harsh and grating but ultimately very well-crafted album which plays out over its 9 tracks with barely a rest. It’s quite a ride.

The show tonight was much the same – hard hitting, very intense but well executed. I enjoyed it a lot, though the show’s rather brief 60 minutes set time seemed to leave a lot of fans wanting more. I feel the band can be a little overly technical at times, at frequently turn their trademark dissonant polyrhythms into something of a cliché, but that’s what the fans came to see if the gleeful response from the crowd was anything to go by.

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The band seemed to enjoy the reception they received. The Roundhouse – barn that it is – looked pretty full.

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Laneway Festival line-up and locations announced

The Laneway Festival line-up has finally been released to the public as of midnight today, after much anticipation and some wackily fake rumours. It looks pretty decent, I think:

  • Four Tet
  • Stereolab
  • Daedelus
  • Pivot
  • No Age
  • The Drones
  • Tame Impala
  • Architecture In Helsinki
  • Girl Talk
  • Mountains In The Sky
  • Born Ruffians
  • El Guincho
  • The Hold Steady
  • Cut Off Your Hands
  • Jay Reatard
  • Buraka Som Sistema Dj/Mc Set
  • The Temper Trap
  • John Steel Singers
  • Canyons
  • Port O’brien
  • Holly Throsby
  • Tim Fite
  • Still Flyin

(I’ve re-ordered the line-up list according to my approximate priorities. Hey, this is my blog, so I can do that sort of thing!)

Despite rumours to the contrary, Laneway will once again be held at the same place in Circular Quay. While being by far the best one day festival I went to last year it was a little oversold in my opinion, so I’m hoping they don’t try and push it to its limits any further in terms of capacity.It’s also travelling to a new city – Perth – and moving to a new location in Brisbane. Full details follow:

  • BRISBANE
    Saturday, 31 January 2009
    Alexandria St off St Paul’s Terrace, Fortitude Valley
  • MELBOURNE
    Sunday, 1 February 2009
    Lonsdale St, Caledonian Lane and Little Lonsdale St, Melbourne
  • PERTH
    Friday, 6 February 2009
    Perth Cultural Centre, Northbridge
  • ADELAIDE
    Saturday, 7 February 2009
    Fowler’s Live, Northern Terrace
  • SYDNEY
    Sunday, 8 February 2009
    The Basement, Macquarie Park & Reiby Place, Circular Quay