Joe.Blog

🧑 Joe Hardy (he/him) 📍 Eora

👇 writing and photography, mostly about music and culture

For work, I help teams be amazing. You can hire me.
I'm also the creator and co-founder of SydneyMusic.net

Interests: music, community, how people think, photography, social and environmental impact of tech

Seven West Media WA Launches The Nightly

27 February 2024 @ 12:34
SWM WA Product & Technology Team 5/10/2016 Late night planning for top secret "WAN 2.0" platform at Seven West Media WA, Osborne Park

You've probably been unable to escape the announcement of The Nightly from out of Seven West Media WA (yes, the WA wing is more or less its own business, with its own CEO and everything).

If you haven't, the westside chapter of Kerry Stokes' pet media company has started a new "digital newspaper", published each weeknight at 6pm. It says that its focus will be "politics, business, policy, culture" and that it is "economically conservative, socially progressive". It's delivered as an old-school digital edition (you know, basically a PDF with hotlinks) and a website.

I normally wouldn't comment on something like this which is getting plenty of notice elsewhere, and also feels deeply unexceptional - yet another have-a-crack-and-see-what-sticks pet project as happens frequently in large media companies (remember Goat from Nova?)

Another recent example of this throw-jelly-at-a-wall strategy can be seen at The West Australian itself, which attempted a perplexing daily live (yes, live) online radio show that was rigorously plugged at the top and bottom of every page on the website, which now appears to have had most mentions removed and has instead been relegated to a standard podcast format.

In this particular case, the Nightly product appears to be once again built on the technology stack and architecture that my team at the time and I designed in 2016 and that has been evolving since then. I'm very proud of our work at that time, and I'm pleased that this platform (Gotham, Batcave, Clayface, and all of the other Batman-related codenames) has been seen fit to meet the needs of not just The West Australian and PerthNow, but also 7News and now this.

However, from a media landscape perspective, if the pathway to create new media titles that fill gaps in our commentary and reporting landscape is reliant on a thinning number of major players making pretty unimaginative attempts funded by (in this case) "Mineral Resources founder Mr Ellison, Harvey Norman CEO Ms Page and Hancock Prospecting’s Mrs Rinehart", and led by hires like Chris Dore not long after he conveniently became available on the job market, it feels like we're missing a trick.

We are desperately in need of new, fresh reporting and amplification of under-heard voices in Australian media. But this won't happen if we just keep drawing from the same highly regurgitated talent pool while being backed by funding that has a long history of strongly influencing which voices are heard and why.

It's a tough time for media. The value placed by the population on quality journalism is declining by the day, and it's being reflected in media P&L.

But actions like this make you ask: are people going to give a shit if this is the best our largest players can do? And why's it so hard for fledgling media startups to get a foothold?

Less Coles and Woolies in our media, please.


Pleasant Discoveries While Walking In Your Neighbourhood Pt. 529: Ron's Records

26 February 2024 @ 15:00
Three LPs and One 7" Shot pano mode on my living room mantlepiece on an iPhone Pro 15 because I'm disgusting

We had a really nice time today browsing Ron's Records, which is a tightly curated collection hosted by The Merchants Warehouse in Annandale.

These are my purchases from today, my first time visiting:

  • Chris Abrahams & Melanie Oxley - Resisting Calm (1990) - $30

  • Bob Dylan - Street Legal (1978, an incredibly good condition "back then" era pressing) - $20

  • Boomgates / Super Wild Horses - Split 7" (2010, "29/500") - $10

  • Radio Birdman - Radios Appear (1977 first pressing of 3000) - $40

I partially bought the Radio Birdman record due to where it came from. This original pressing is released on Trafalgar Records, which was based out of Trafalgar Studios, on Trafalgar Street in Annandale - which was where the album was recorded. That same studio space ended up being where I did a bunch of my recording much later (2008-ish) because it happened to be cheap, owing to it having been bought by a church music record label... yes, really...

The church music record label couldn't afford to hang onto the studio, so they sold it to someone that demolished it and built a house on the land.

* * *

Back to Ron's Records. I just want to draw attention to the prices. That Radio Birdman is going for hundreds in some cases on Discogs (are Discogs prices even real?)

The other three can best be described as extremely reasonable prices. In a world where people are charging $40 for mid-tier second-hand ordinary condition pressings of popularly available records, this is really decent.

Just to give a bit of an overview, Caitlin also picked up standard garden variety used pressings of:

  • Grimes - Visions - $20

  • Alvvays - Antisocialites (yellow vinyl pressing) - $15

  • Unknown Mortal Orchestra - Multi-Love - $20

Some other highlights I noticed:

  • No Age - Weirdo Rippers EP (self-released, no label, no serial number) - $20

  • A box of 7"s that honestly started to get overwhelming - bands like Nikko, Circle Pit, Dead Farmers, a random Faith No More original... all $10 as far as I could tell.

* * *

Now, I'm speaking from limited personal experience - there are a lot of vinyl curators and store/stall operators and they are of multitudinous range in all directions, catering to a broad range of customers, a broad range of budgets and tastes. In a world where there are many Really Good Options, this feels really super nice and tasteful and reasonably priced in a way that makes me keen to keep an eye on it.

The people working checkout that took my money didn't have direct involvement with Ron's Records, and when asked said that the collection sees pretty high turnover and that there's a significant flow of LPs walking out the door.

Reading Ron's website (apart from the goofy auto-generated 3D avatar video on the homepage) I get the impression he runs a highly principled operation that prides itself on The Good Shit.

Cheers Ron!

* * *

Curation can be such a critical part of a small record stand's appeal ...

Last October we went to the incredible Leaving Records x Feels Like Floating collab "Listen To Music Outside In The Daylight Under A Tree" which had a vinyl store curated by a Mitchell Brown (who I do not know anything about), which an absolutely astounding limited collection - a good spectrum of musical universes, with really interesting selections.

I frequently get really tuned out or bored while browsing record stores, and often it feels like it's because it's less a curatorial journey and more just a "bunch of stock". I wonder if record stores should experiment more with categorising their collections more like "exploration journeys" and less like categorised / alphabetised stock maybe that would make it easier to relate to and contextualise titles that you might not otherwise know anything about.

Speaking of, that whole event was wonderful - highly recommended if you ever have the misfortune to find yourself in LA, it's a good palette cleanser.

* * *

Keen to hear your thoughts and experiences on tightly curated record and CD stores! I'm really interested in how human-driven, intentional, thoughtful curation can help to provide a sense of context and facilitate discovery for people wanting to learn about music based on the knowledge, the culture and the craft.


Blackouts and Condiments

15 February 2024 @ 16:20
Blackouts and Condiments AE-1 / Fujifilm 400

Hello

10 February 2024 @ 20:51
Urban sculpture in park, North Sydney AE-1 / same roll of HP5 400 pushed +2

Big couple of weeks. This photo is from a really lovely hour in amongst it, walking down to Wendy Whitely's Secret Garden on a lunch break and taking photos with a couple of colleagues. Good for the soul.


World's Only @ Phoenix Central Park 30/01/2024

10 February 2024 @ 20:46
World's Only Shot on HP5 400 pushed +2